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Bowl No. 1

Bowl No. 1

Sepideh Jahanpanah

Regular price €140,00
Regular price Sale price €140,00
Sale Sold out
Tax included.

This bowl is inspired by a classical Japanese ceramic aesthetic. In her works, Sepideh sometimes emphasises on classical Japanese elements, while at the same time stepping beyond traditional forms.

Every piece made by Sepideh will always carry the traces of the artist's hands and tools with it and reveals its making process.

Capacity 875 ml

Delivery time: 7 days

Materials & Process

This bowl is slab-built and the surface pattern is hand-carved. Gestural pour-patterning of the glaze accentuates the artistic quality of this piece.

Material: dark chocolate stoneware ceramic, porcelain, stoneware glaze

Dimensions & weight

Width: 14 mm

Height: 12 cm

Depth: 14 cm

Weight: 875 g

Production & Shipping

Where available the costs of delivery will be displayed to you on the site during the check-out process. We chose the most appropriate shipping method for each product. Please note that in each case the cost of delivery will be added to the total you are required to pay us for the product.

Care Instructions

All artworks are unique, therefore always handle the items carefully. You can put this piece in a washing machine, but hand-washing is highly recommended. It is not recommended to put this piece in a microwave.

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about the maker

Sepideh Jahanpanah

Sepideh Jahanpanah is an artist and a ceramist currently living and working in The Hague, Netherlands.

Her artistic interest was originally inspired, and has at it’s foundation, Sepideh’s Persian background, an indescribably rich culture that goes back thousands of years and in which she is inevitably in love with. Having left Iran to come to the Netherlands Sepideh has been studying and experimenting with Japanese Ceramic technics and the Wabi Sabi worldview, whose influence can be seen in her work.

Sepideh’s Bachelor Degree was at The Art University of Isfahan, Iran, focused on ceramics. Later she won a place to study an MA in Artistic Research at the Royal Academy of Arts in The Hague, The Netherlands where she has been working since.

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